Hours of creative activity achieved in last 24: 1
Reading: Bruce Cole's The Composer's Handbook
Hair Day: Drying
Things I Can See From My Flat Window No. 4: Battersea Power Station
juice had an excellent 2 days' final recording at Nonclassical Towers where, fuelled by chocolate, tea and prawn jalfrezi from Bethnal Green's friendliest curry house, we laid down nine more pieces to potentially go on our debut album. Whoopee! Our earlier sessions in the summer had been enacted in face-melting heat; this time, we really hit our stride, aided by Gabriel's subtle direction in the producer's hotseat. Now we just need a pithy title that gets across our genre-hopping, experimental vocal, text-exploring, gasping/hollering/crooning style in about three words. Ummmm....
I made my London Jazz Festival debut this week, singing with Metamorphic at a happily heaving Cafe Oto. Ace promoters The Local, helmed by drawlingly droll Northerner Howard Monk, had thrown three utterly diverse acts into the mix; following our prog-jazz shizzle was the delightful Kyrie Kristmanson, who delivered bravely bare songs with a smattering of trumpet, tambourine or guitar whilst appearing to sport the scalp of a yeti as a hat. After this gorgeous interlude, we were lastly pummelled into submission by the musical equivalent of an extreme BDSM session: hardcorenoiseimprov merchants Puma. An electric guitar/synths/drums trio from Norway, they were a study in crescendos, drawing us in fairly gently at first with brooding drones before we were unwittingly sucked into their snarling, mathy doomrock, with moments variously suggesting a bagpipe player on a murderous rampage, Kevin Bacon (the guitarist Stian was the spitting image) having a nervous breakdown, and some sort of witchy cave-ritual with extra gongs. It was like being dragged to the end of the world, led by the Three Horsemen of the Apocalypse, accompanied by the synth keyboardist's hell-raisingly joyful whoops. They left us glued to our chairs, our craniums throbbing and soggy, unable to fathom that we were still in Dalston and not in some eternal, slightly blissful underworld. Puma!