Watching: Getting wiltingly-addicted to Downton Abbey
Hair Day: It's a Hair Day Off
Things I Can See From My Flat Window No. 2: The BT Tower
juice are in the midst of a hairily-busy period; when we remember how much music we have to learn, we turn white and stuff our face with more cake that we shouldn't be eating to distract ourselves from the rising panic. Still, the Love Songs London premiere is out of the way, hurrah! Our Kings Place gig went pretty darned well I think - we performed them in bite-sized chunks (or as Sarah unwittingly put it, to the hearty guffaws of my friend Jim, a 'love sandwich'. Yummy.), interspersed with piano/film/sampling-stylings of Scratch the Surface featuring the likes of Leon 'Jagger' Michener, Sarah Nicholls and Claudia Molitor, who almost outdid us in the multi-coloured tights stakes. Many of the composers came along, including Errollyn Wallen, looking glamorous in leopardskin, Anna Meredith, Phillip Neil Martin and Mica 'Micachu' Levi. We're so proud of this project - it took a mammoth effort to get funding and was right down to the wire in getting them ready for performance. You'd think we'd want a bit of a rest following that; but no! A day later we returned to the bosom of Kings Place and their fabulously slick tech team to perform in Mikhail's 'Xenon' project. This included fun costumes: for the first half, we were Annie Lennox/Robert Palmer models in suits and red lippy (I had great difficulty in processing Mikhail's request for me to make my hair look 'less lovely and more androgynous' - my hair is the only thing that always looks FABULOUS!), and in the second we transformed into shiny-glam people 'excavated from the earth' - for me this meant looking like a big gold pudding in some hip-exaggerating (believe me, the last things that need exaggerating are my hips) gleaming trousers. But at least I got to spike my hair up, phew.
After that, and not forgetting another performance of 'Xenon' in Canterbury, juice enjoyed two days of trying out material with our friend, the brilliantly dynamic percussionist and composer Damien 'Father Damo' Harron down in the Cronx* for our concert in a weeks' time. I penned a very quick one which treats juice essentially as one voice, has Damien jabbering away and playing gongs, and which revealed a rather stuck-record approach to composing as it is about the moon. AGAIN. We're also performing pieces by John Cage, Tansy Davies, Georges Aperghis and many more. It should be great fun, though means we have about 10 more pieces to learn in a week. Followed by another premiere by Stef Connor two days later in York. We are clearly sado-musico-masochists.
In exciting other Kerry news, I enjoyed not one but TWO iPlayer features this week, first with my choral piece 'Fall' being broadcast on BBC Radio 3's The Choir, and You Are Wolf's 'Lucy Wan' being played by Fiona Talkington on Late Junction. Yay! AND the former piece has been nominated in the 'Making Music' category at the British Composer Awards, thanks to Joyful Company of Singers chief Peter Broadbent. I'm not expecting to win or anything but am SO looking forward to Andy and I rocking up to the Stationer's Hall at the end of November, quaffing lots of free champagne and hobnobbing with composers-a-plenty...
* Croydon. Ahem.